the flying pig wrote:Not a ‘festival’ point specifically but worth [to me at least] noting that last week marked the 20th anniversary of Nirvana releasing ‘Nevermind’.
Although slightly overrated & not without its flaws, being badly overproduced for a record in its genre, fairly weak lyrically [too much teenage angst & choruses featuring the word ‘yeah’], and probably not really relevant to supposedly ushering out poodle rock or whatever [in any case not really a relevant argument for the UK since the turn of the 80s/90s was a great period for british bands] it still sounded great and was really significant in, I dunno, I suppose getting people from a wide range of walks life interested in semi-decent music.
FER wrote:the flying pig wrote:Not a ‘festival’ point specifically but worth [to me at least] noting that last week marked the 20th anniversary of Nirvana releasing ‘Nevermind’.
Although slightly overrated & not without its flaws, being badly overproduced for a record in its genre, fairly weak lyrically [too much teenage angst & choruses featuring the word ‘yeah’], and probably not really relevant to supposedly ushering out poodle rock or whatever [in any case not really a relevant argument for the UK since the turn of the 80s/90s was a great period for british bands] it still sounded great and was really significant in, I dunno, I suppose getting people from a wide range of walks life interested in semi-decent music.
Yes indeed. I swapped (I was still young ffs!) a single of The Days Of Pearly Spencer for Nevermind with a chum who was not at all grunge/rock minded. Best bit of business I ever did at such an age.
the flying pig wrote:Not a ‘festival’ point specifically but worth [to me at least] noting that last week marked the 20th anniversary of Nirvana releasing ‘Nevermind’.
Although slightly overrated & not without its flaws, being badly overproduced for a record in its genre, fairly weak lyrically [too much teenage angst & choruses featuring the word ‘yeah’], and probably not really relevant to supposedly ushering out poodle rock or whatever the cliche is [in any case not really a relevant argument for the UK since the turn of the 80s/90s was a great period for british bands] it still sounded great and was really significant in, I dunno, I suppose getting people from a wide range of walks life interested in semi-decent music.
the flying pig wrote:another important thing about Nirvana
the flying pig wrote:Although slightly overrated & not without its flaws, being badly overproduced for a record in its genre, fairly weak lyrically [too much teenage angst & choruses featuring the word ‘yeah’], and probably not really relevant to supposedly ushering out poodle rock or whatever the cliche is [in any case not really a relevant argument for the UK since the turn of the 80s/90s was a great period for british bands] it still sounded great and was really significant in, I dunno, I suppose getting people from a wide range of walks life interested in semi-decent music.
the flying pig wrote:Not a ‘festival’ point specifically but worth [to me at least] noting that last week marked the 20th anniversary of Nirvana releasing ‘Nevermind’.
Although slightly overrated & not without its flaws, being badly overproduced for a record in its genre, fairly weak lyrically [too much teenage angst & choruses featuring the word ‘yeah’], and probably not really relevant to supposedly ushering out poodle rock or whatever the cliche is [in any case not really a relevant argument for the UK since the turn of the 80s/90s was a great period for british bands] it still sounded great and was really significant in, I dunno, I suppose getting people from a wide range of walks life interested in semi-decent music.

eric olthwaite wrote:the flying pig wrote:Although slightly overrated & not without its flaws, being badly overproduced for a record in its genre, fairly weak lyrically [too much teenage angst & choruses featuring the word ‘yeah’], and probably not really relevant to supposedly ushering out poodle rock or whatever the cliche is [in any case not really a relevant argument for the UK since the turn of the 80s/90s was a great period for british bands] it still sounded great and was really significant in, I dunno, I suppose getting people from a wide range of walks life interested in semi-decent music.
You have, sir, a fairly unique gift for unenthusiastic qualified enthusiasm.
Ponte wrote:the flying pig wrote:another important thing about Nirvana
Would Dave Grohl have formed the Foos if he hadn't been involved with Nirvana?
Man Called Sun wrote:Ponte wrote:the flying pig wrote:another important thing about Nirvana
Would Dave Grohl have formed the Foos if he hadn't been involved with Nirvana?
I remember clearly when I was at school, my mate enraged me by saying he was glad Cobain had killed himself, cos otherwise Grohl would never have started the Foo Fighters. He has a gift for these things, but I just cannot see the comparison, Foo Fighters are just some shit pop band.
I should say that this was many years after the event mind.
the flying pig wrote:i forgot to mention - that thing where they played all slow/quiet & then unexpectedly rawked out, it was really great but should really have been restricted to one or at most two tracks [i think that's a general nirvana pt rather than a nevermind specific one].
the flying pig wrote:fairly weak lyrically [too much teenage angst & choruses featuring the word ‘yeah’]
eric olthwaite wrote:the flying pig wrote:fairly weak lyrically [too much teenage angst & choruses featuring the word ‘yeah’]
Can I also note, in relation to the above, that I'm sure you exhibited some enthusiasm for G'N'R at some point. I mean, they're not exactly Robert Wyatt lyrically, now are they?
the flying pig wrote:GnR's lyrics were obviously risible & didn't pretend otherwise
FER wrote:the flying pig wrote:GnR's lyrics were obviously risible & didn't pretend otherwise
Now, I really have to ask you to explain yourself on that one, my good sir.
the flying pig wrote:FER wrote:the flying pig wrote:GnR's lyrics were obviously risible & didn't pretend otherwise
Now, I really have to ask you to explain yourself on that one, my good sir.
take yer pick http://www.songmeanings.net/artist/view/songs/479/
FER wrote:Well, after clicking a couple of links and seeing people saying how great the songs were, that didn't really help answer the question. nor back up your original statement.
Yeah!
Attitude
Some fuckin' attitude
I can't believe what you say to me
You've got some attitude
Inside that bitter brain
There's gotta be a whore
If you don't shut your mouth
You're gonna feel the floor, yeah!
Attitude, what you've got
Some fuckin' attitude
Attitude's what you've got
Some fuckin' attitude
Yeah, all right
eric olthwaite wrote:FER wrote:Well, after clicking a couple of links and seeing people saying how great the songs were, that didn't really help answer the question. nor back up your original statement.Yeah!
Attitude
Some fuckin' attitude
I can't believe what you say to me
You've got some attitude
Inside that bitter brain
There's gotta be a whore
If you don't shut your mouth
You're gonna feel the floor, yeah!
Attitude, what you've got
Some fuckin' attitude
Attitude's what you've got
Some fuckin' attitude
Yeah, all right
Very difficult to comprehend quite how he's missed out on the poet laureate gig, I'll grant you.
FER wrote:the flying pig wrote:GnR's lyrics were obviously risible & didn't pretend otherwise
Now, I really have to ask you to explain yourself on that one, my good sir.
the flying pig wrote:i mean, it's easily possible for great songs not to have great lyrics. just think of, oh, rock and roll part 2, for example.
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